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My first go at a photography project consisted in a series of people commuting in the Paris Métro (Underground). In my early teens I had become a big enthusiast of the French polar (French crime films), its peculiar, stylized depiction of Paris offered me a romanticised and exciting image of the city. Jean-Pierre Melville’s neo-noir Le Samouraï is one of my favourite films ever, with a breathtaking Métro chase sequence, starring an icy, angelical Alain Delon. I had those scenes, along with the hypnotic François de Roubaix sound score looping through my mind as I walked with my camera across the maze-like Métro corridors.